First Impressions: The 2019 Kate Greenaway Shortlist (Part II)

Continuing our look at the 2019 Kate Greenaway shortlist…

Julian Is A Mermaid – Jessica Love

The colours and the fluid lines really capture what this books is about – we thought it was utterly joyful. Using minimal text, much of the story is revealed via the illustrations -Julian’s tramway dreaming prefiguring the books ending (note the patterned fish and the gifted necklace). This book was a clear favourite on the night!

Our highlight was: the body language as a way of communicating the emotional narrative of the story. We especially liked Nana’s inscrutable face.

You’re Safe With Me – Poonam Mistry (written by Chitra Soundar)

Visually arresting and intricate illustrations make this stand out stylistically – it’s unlike anything else on the shortlist. Though highly patterned each page or spread is different – colour is used very effectively to change the tone.

Our highlight was:  the use of the whole page – colour and pattern run to the very edges with the text seamlessly integrated into the pictures.

The Lost Words – Jackie Morris (Written by Robert Macfarlane)

It’s clear from the moment that you open this book that it is something very special – we spoke about the size and format itself being totally immersive and how clever it is to achieve the depiction of the loss of something – the absence of it. The ‘triptych’ of images for each poem and the gold leaf evoked something iconic – as if this were a reliquary for these words.

Our highlight was: The fact that the impact of the illustrations builds – each lost word is addressed with 3 illustrations: one showing the absence of the word, one accomanying the poem and showing a detailed image on gold leaf and finally a double page spread showing the ‘lost word’ in it’s natural setting – as it should be.

Suffragette: The Battle For Equality – David Roberts

The attention to detail in this work is astonishing. Avoiding the replication of images we may already be familiar with because we’ve seen them in photographs or posters, Roberts offers an intimate look at this moment in history. The use of different styles: the cross stitch samplers, the period portraits, the cataloguing of ephemera such as badges, weapons and flags, as well as action shots of pitched battles, marches and general ‘brouhaha’ make for an intoxicating mix.

Our highlight was: The determination on the women’s faces – even as they are being dragged away by police or eyes closed trudging through the rain – the illustrations make very clear something of the character of these women and the magnitude of the battle they took on.

For those wishing to join in the fun, our next meeting will take place on the 2nd April, 6.30pm, at The Bank pub (Manchester). You can find out more about the Greenaway shadowing scheme on the Awards website https://www.carnegiegreenaway.org.uk/shadowing.php

 

First Impressions: The 2019 Kate Greenaway Shortlist (Part I)

Last night was the inaugural meeting of our ‘Picture Books In The Pub’ group – an informal shadowing group for adults looking at the books shortlisted for this year’s Kate Greenaway Medal.

We were very lucky to have regional judge Emma on hand to introduce each of the shortlisted books and tell us a little bit about why these eight books in particular stood out for the judging panel. Naturally lots of discussion and oohs and ahhs ensued. We even managed to brainstorm ideas around the kind of activities we could run with shadowers based on each book (headdresses and mermaid tails here we come!).

We will, of course, be revisiting each book in detail (and with the medal criteria firmly in mind) over the coming weeks but to whet your appetite and in the spirit of the shadowing scheme we’d like to share some of our first impressions with you…

The Day The War Came, illustrated by Rebecca Cobb (written by Nicola Davies)

We were particularly impressed with the use of colour and texture here – the contrast conveying all the “smoke and fire and noise” that the narrator “didn’t understand”. The use of panelling in some of the spreads and the wide double pages gives a real sense of the enormity of the journey undertaken and the all encompassing nature of the war.

Our highlight was: the endpapers – we loved the fact that the book begins with empty chairs but ends with each one occupied by a happy and smiling child.

Ocean Meets Sky – The Fan Brothers

We all wanted to spend more time poring over these immersive, enchanting illustrations. Each page offered so much to investigate: fish bellied boats, sea monsters and pirates, castles in the air and even a guest appearance from the Titanic.  We loved all the details and felt very pleased with ourselves when we spotted that the lands Finn sails through all echo the curios left on his grandfather’s desk.

Our highlight was: The use of scale and the change in perspectives – the double page spread showing the carp, boat and jellyfish from above eliciting several gasps of admiration.

Beyond The Fence – Maria Gulemetova

We really like the low, wide format of this book – it enhanced the expansive vistas and their promise of freedom just as much as it intensified the creeping sense of claustrophobia in some of the interiors.

Our highlight was: The final spread – the change of colour and saturation makes a bold contrast to the rest of the book and invites the reader to imagine just what lies on the other side.

The Wolf, The Duck & The Mouse – Jon Klassen (written by Mac Barnett)

We loved the textured backgrounds in this one and spoke about them being stylistically reminiscent of works from the 60s/70s. Broad brushstrokes, crayoned lines and inky spatters evoke both the earthy darkness of the wolf and the moonlit wash of the nighttime forest. We were particularly drawn to the contrast between light and dark and wondered how this had been achieved: creatures and objects are almost luminescent in the dark of the wolf’s belly.

Our highlight was: The scenes inside the wolf’s belly – it seems such a bold choice to fill the page with such dark colour and the way that the mouse and the duck are foregrounded by a bold white outline made these spreads really stand out.

We’ll be back with the final four shortlisted books in our ‘First Impressions Part II’ post tomorrow!

Love Letters To Libraries: Jane Ray

Our next writer in our Love Letters to Libraries series, is the inestimable Jane Ray. Jane has illustrated over 70 children’s books and has worked with authors such as Michael Rosen, Carol Ann Duffy, Jeanette Winterson, Dianne Hofmeyr and Kevin Crossley Holland. She is IBBY UK’s nomination for the 2108 Hans Christian Andersen Award, alongside Melvin Burgess.

Why I Like Libraries

A love of libraries was instilled in me early by my parents, whose own families had few educational aspirations and certainly no money for books. The local library had been crucial to their educational development and they were the first in their families not to leave school at 14 but to go on to Higher Education, and careers as teachers. So my mum took me and my sisters to our library every Thursday evening, teaching us how the library worked and how to find the books we might enjoy.

I have fond memories of that first local library of my childhood – the smell of books, the pink cardboard tickets in their little buff coloured envelopes, the rubber date stamp and the pleasure of leaving with an armful of new possibilities – Noel Streatfield, Tove Janson, Louisa M Alcott, Milly Molly Mandy, My Naughty Little Sister, Teddy Robinson… so many new friends!

There was no library at Primary school, but Secondary School had a wonderfully well-stocked library with an enthusiastic librarian and a selection of art books that filled me with complete joy! Here I discovered how a fresco was painted, the drawings of Michelangelo and Leonardo Da Vinci and the illustrations of Arthur Rackham.

There was a sense of growth, of independence, in being free to select books that developed my interests in art, that began to signpost the direction I might go in. (I do also have to admit here, with suitable shame, that for a while I was a part of a group of very noisy girls at school who loved being in the library but talked and mucked about and eventually got barred… not my finest hour – sorry Mrs Brooke!)

School libraries and skilled specialist School Librarians are a vital (and vanishing) part of every school. Occasionally, usually through the unstinting fund raising efforts of Parent Teacher groups, a new library is opened in a primary school – I have been lucky enough to be asked to cut the ribbon for a few of these and they are such a joy and cause for celebration – bright, airy colourful rooms, with cushions, pictures and books, books, books…

My first experience of a proper ‘grown up’ scholarly library was when I was writing my thesis for my degree. My subject was Oriental Puppetry and I found myself ensconced among the stacks of the Library of SOAS – The School of Oriental and African Studies. It was a little intimidating until I’d worked out how to use the cataloguing system and access the books I needed, but from the beginning I was enthralled by the quietly serious atmosphere, and a feeling that what I was writing and researching mattered.

When I had my first child we spent many hours looking at picture books together at Wood Green Library in North London, somewhere meaningful to go where you didn’t have to spend any money, where the whole point was to look and be inspired and make a choice and then take that choice home with you. All three of my children were avid library users throughout their childhoods.

It is vitally important to provide a place to study for children and young people who don’t have access to quiet space at home. The social gap in opportunity is widened by such inequality and public libraries are a huge help in bridging that gap. Specialist children’s librarians also help, by creating events in libraries with authors and illustrators that give children who don’t visit bookshops, an opportunity to experience books and their creators at first hand.

I work as Artist in Residence at a Refugee Centre and the local public library is of huge value to people who have fled their homelands with nothing. Here they can read, study, research, use the internet, sit in peace and think. The freedom this represents to someone who has fled repression of thought and education is incalculable.

Libraries are not just about books – they are local cultural hubs – noticeboards full of opportunities for classes, life drawing, language classes…

As a young illustrator, it was my local library in Crouch End that gave me and a group of fellow artists, all sharing a studio, the chance to exhibit our work for the first time. Professional contacts were made and careers boosted.

In these days of prohibitively expensive university education, public libraries have come to represent more and more a place where access to education and development is free.

As important too, in my view, is the quiet and calm they offer in a world which buzzes with constant ‘noise’.

Libraries represent the best in our society – education, enlightenment, information, peace, trust – and all for free. We should treasure them for we lose them at our peril.

Jane Ray, 2018

Jane’s latest book for Boxer Books, The Elephant’s Garden was nominated for the 2018 Greenaway Medal.

Love Letters To Libraries: Ali Limentani

To see us through the summer months we’re launching a new blog feature: Love Letters to Libraries. A collection of missives from authors and illustrators reminding us of the far reaching influence of the humble Public Library and the effects a love of reading and a thirst for knowledge can have on an individual as well as a career

To kick us off we have Alison Limentani. Alison has always been fascinated by animals and wildlife. She has a Degree in Animal Behaviour, and worked as a Zoo Keeper in Jersey before training as a veterinary nurse. She is passionate about drawing animals, and sharing her knowledge about them.

Why I like libraries

Well let’s get one thing straight. I don’t like libraries… I love libraries!

Where else do you get the opportunity to visit a multitude of other cities, countries or universes absolutely free?

I love being able to lose myself in a world full of facts and information. The ideas for my books are often triggered by discovering just one amazing fact, which starts a cascade of other ideas, leading me on a fact-finding mission that allows me to build a whole book around one astounding piece of the puzzle.

Sometimes I enjoy escaping into a fiction book to find refuge from real life amongst the pages. It’s exciting to take on a new identity and walk around for a while. That’s why we read books, right? Your body doesn’t go anywhere, but your mind gets to travel beyond the reaches of your own imagination, into someone else’s.

I love libraries.

Alison’s debut picture book ‘How much does a Ladybird weigh?’ was published in 2016. This stylish book uses an array of native wild animals to explain how heavy each animal is relative to the others. It was nominated for Cambridgeshire Libraries ‘Read it again’ award 2017 and was also on the New York Public Libraries Best Books for Kids 2016 list.

Her most recent book ‘How Tall Was A T-Rex?’ uses traditional printmaking techniques and digital editing to create vivid and engaging comparisons to profile this notorious dinosaur.

You can find out more about Alison, including her work as a children’s art facilitator, via her website: http://alisonlimentani.wixsite.com/alisonlimentani

CKG19 Nominations

Though the dust has barely settled after the excitement of the Carnegie and Greenaway medal announcements in June, we’re already busy thinking about what we’ll be nominating for the 2019 awards. Our marvellous committee met up to discuss the books that have caught our attention over the past few months…

After much discussion we came up with two shortlists of books to be read over the summer months. If you’d like to read along with us you can find our shortlists below.

We will be holding a discussion day in September looking at how our shortlists measure up against the Carnegie and Greenaway criteria  and selecting the two books from each list we think are most worthy of being nominated.

It is also worth bearing in mind that all CILIP members can make nominations in their own right. Eligible titles must be published between 1 September 2017 and 31 August 2018. You can read more about eligibility for the awards on the Medal’s website.

 

Carnegie Shortlist for Nominations

• Moonrise – Sarah Crossan
• The House With Chicken Legs – Sophie Anderson
• Notes On My Family – Emily Critchley
• Satellite – Nick Lake
• The Poet X – Elizabeth Acevado
• Orphan Monster Spy – Matt Killeen
• The Hazel Wood – Melissa Albert

Greenaway Shortlist for Nominations

• Crescent Moons and Pointed Minarets: A Muslim Book of Shapes – Mehrdokht Amini (Hena Khan)
• The Lost Words – Jackie Morris (Robert Macfarlane)
• The Last Wolf – Mini Grey
• Space Tortoise – David Litchfield (Ross Montgomery)
• Rebel Voices: The Rise of Votes For Women – Eve Lloyd Knight (Louise K Stewart)
• Suffragette: The Battle for Equality – David Roberts
• The Squirrels Who Squabbled – Jim Field (Rachel Bright)